Articles

Showing 8 articles

• Editorial

  Published 12 October 2026

  Editorial: Music performance anxiety, volume II

  Oscar Casanova · Michiko Yoshie · Katarina Habe · Patrick Gomez

  Frontiers in Psychology

  doi 10.3389/fpsyg.2026.2007842

• Original Research

  Published 9 October 2026

  Stage anxiety and piano performance: the sequential mediating roles of self-efficacy and attentional control

  Yue Sun · Zhou Zhou

  Frontiers in Psychology

  doi 10.3389/fpsyg.2026.1895260

• Original Research

  Published 6 October 2026

  Neural dynamics of emotionally expressive piano performance: a single-case study

  Alice Mado Proverbio · Giulia Carta

  Frontiers in Cognition

  doi 10.3389/fcogn.2026.1945714

• Hypothesis and Theory

  Published 23 April 2026

  Self-organization and circular causation as synergetic foundations of social interaction: a multilayer network perspective

  Viktor Müller

  Frontiers in Network Physiology

  doi 10.3389/fnetp.2026.1776969

• Digital Humanities

  Published 28 January 2019

  Technology Enhanced Learning: The Role of Ontologies for Feedback in Music Performance

  Matthew John Yee-King · Thomas Wilmering · Maria Teresa Llano Rodriguez · Maria Krivenski · Mark d'Inverno

  Frontiers in Digital Humanities

  doi 10.3389/fdigh.2018.00029

• Digital Humanities

  Published 26 November 2018

  I am Streaming in a Room

  Chris Chafe

  Frontiers in Digital Humanities

  doi 10.3389/fdigh.2018.00027

• Digital Humanities

  Published 24 October 2018

  Computational Models of Expressive Music Performance: A Comprehensive and Critical Review

  Carlos E. Cancino-Chacón · Maarten Grachten · Werner Goebl · Gerhard Widmer

  Frontiers in Digital Humanities

  doi 10.3389/fdigh.2018.00025

• Digital Humanities

  Published 28 June 2018

  Applications of Cross-Adaptive Audio Effects: Automatic Mixing, Live Performance and Everything in Between

  Joshua D. Reiss · Øyvind Brandtsegg

  Frontiers in Digital Humanities

  doi 10.3389/fdigh.2018.00017